Daniel Elms

In 2017, Elms’ music heralded the rebirth of his hometown, Hull. He manifested shimmering electronics and ghosts of the region’s maritime past in his composition Bethia and created a spectral mist through which cut the carillon bells of Hull Minster during New Music Biennial at Hull City of Culture 2017 — commissioned by the British Film Institute. The boiling social tensions of 2018 were captured by Elms in the engrossing, monolithic 100 Demons, which was commissioned by Manchester ... [ more ]

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